“The worry isn’t just that we as artists would be replaced by generative AI,” says Ge Wang. “It’s that we might be replaced by something far more generic and far less interesting.”
Visiting artists Zefren Anderson and Robert Blackhat Jr. spent two and a half days with Stanford Arts Intensive students this summer, demonstrating cutting-edge technology and techniques honed over thousands of years.
The new curator and assistant director of the Stanford University Archaeology Collections says the pieces in her charge have something to offer all disciplines.
Stanford frosh read, attended, and discussed William Shakespeare’s Julius Caesar as part of their COLLEGE winter course, Citizenship in the 21st Century.
A new exhibition at the Anderson Collection offers a close look at the paintings and prints of one of California’s most important postwar artists and his local connections.
An exhibition of photographs that document sweeping 20th-century political, social, and artistic movements across Latin America opened this month at the Cantor Arts Center.
When it comes to the art of quilting, determining the feasibility and order of steps in advanced patterns can be notoriously complicated – and frustrating. By automating that process, a new algorithm enables quilters to focus on design and creation.
During winter quarter, students enrolled in a class called “Mail Art” created small works of art, remotely, during workshops led by master artists, and mailed them to classmates across the country.
Stanford Institute for Human-Centered Artificial Intelligence —
A team of AI researchers has trained its algorithms to see the emotional intent behind great works of art, possibly leading to computers that see much deeper than current technologies.
Stanford theater directors, computer scientists and electrical engineers created a new tool to help performers who are located in different spaces come together in online performances.
Among the first of its kind, Stanford’s newest hub of interdisciplinary scholarship transforms the museum’s collection and expands research opportunities.
Stanford student-artists, including Jessica Yeung, showcase original artwork that challenges perspectives in the Sixth Annual Undergraduate Juried Exhibition, on display at the Stanford Art Gallery through Dec. 7.
Local resident Moo Anderson and her family gifted Stanford a celebrated collection of postwar and contemporary American art and her prized collection of art books and catalogs.
Through his work – now on exhibit in the Coulter Art Gallery – Stanford professor of art and art history Enrique Chagoya explores issues of ethnicity, immigration and borders.
Incarceratedly Yours is a new collaboration between Stanford students and artists in prison. They pair up to create artworks that are then featured in an annual publication.
Totem poles, silkscreen prints and other objects created by Northwest Coast indigenous artists are on display as part of a new exhibition at the Stanford Archaeology Center.
Stanford’s iconic amphitheater reopens after extensive renovations and upgrades that make it one of the premiere music venues in the Bay Area and a place for university pomp and circumstance.
Students, faculty and staff collaborate on an exhibition and a grand opening that Leonardo would have appreciated. University photographer Linda A. Cicero captured some of the highlights of the opening reception.
The stellar line-up includes pianist Lang Lang, banjo and bluegrass virtuoso Rhiannon Giddens, acclaimed violinist Joshua Bell, Afro-Cuban jazz exponent Chucho Valdés and multimedia artist Laurie Anderson.
