Artistic director Jim Nadel founded the instructional jazz workshop the summer after graduating from Stanford out of a desire to stay close to the music and build a community of learning.
In her solo exhibition American Progress at the Anderson Collection, Red Star explores the costly ramifications of westward expansion on Native Americans.
The curator of modern and contemporary art at the Blanton Museum of Art at The University of Texas at Austin will bring her vision for the Cantor to campus on July 5.
The Stanford art historian discusses what it’s like to be credited with inspiring a fashion line that blurs the boundaries between sexual and gender binaries.
Leading visual and performing artists engage deeply with students and faculty, and share their work with the broader Stanford community. Among the fall 2021 cohort are several artists who were invited to extend their original terms due to the pandemic.
The 2021-22 season examines themes of reconciliation and forgiveness, highlights Indigenous and South African voices and features major U.S. dance premieres.
Molly Match, a children’s book featuring a little Black girl that was illustrated by a Stanford staffer, has sparked meaningful discussions about inclusion, diversity and equity on campus.
During winter quarter, students enrolled in a class called “Mail Art” created small works of art, remotely, during workshops led by master artists, and mailed them to classmates across the country.
The university is planning a gradual reopening of some campus venues and zones to foster greater community connection as public health conditions improve.
In a new biography, Stanford art historian Alexander Nemerov conveys the magic of artist Helen Frankenthaler’s 1950s work, produced while she was in her 20s.
Stanford theater directors, computer scientists and electrical engineers created a new tool to help performers who are located in different spaces come together in online performances.
Among the first of its kind, Stanford’s newest hub of interdisciplinary scholarship transforms the museum’s collection and expands research opportunities.
Even faced with complete closure due to health and safety guidelines, Stanford’s makerspaces have found innovative ways to continue serving their communities during the COVID-19 pandemic.
