Meet our faculty

Professor of Psychology and, by courtesy, of Law

“Both of my parents passed away at a pretty young age, in their 50s. My father was a mailman and an antique dealer on the side, and my mother was a data entry clerk working at the federal building in downtown Cleveland. After I completed graduate school, and before my mother told me she was dying, she shared that seeing how far I could go in education had made a real impression on her, and that she wanted to follow in my footsteps. She decided to pursue a bachelor’s degree in urban studies and went on to complete her degree. I didn’t realize I could have that kind of influence on someone I loved just by doing what I loved. Going to college was a big change for her late in life, and I’m really proud of how she took that leap and seized the opportunity to advance her education. It encouraged me to keep doing more of the same.

“When I was twelve, we moved from an all-black neighborhood to an all-white neighborhood. My parents knew there was a better school system in the new neighborhood, and they wanted to try to give us a chance at better educational opportunities. I think that move got me very interested in race and inequality. In the new neighborhood, it was expected that most of the kids would go to college and do great things. I felt like I was on a different path than I would’ve been had we stayed in the old neighborhood, where it wasn’t the expectation that people would go to college. Most people there didn’t pursue degrees. I think that experiencing this racial divide and seeing the discrepancies between the two communities is what first made me want to investigate human behaviors and interactions, and my current research addresses significant social issues such as bias, discrimination, and inequality. The idea that we can use science as a way to explore possible solutions to significant problems is really exciting to me. Social science research provides me with a unique avenue for contributing to society – while also inspiring others to pursue what they’re most passionate about.”

Associate Professor of Music

“As an undergraduate, I double majored in history and music; at that point I didn’t really understand that they could be intertwined. It wasn’t until I was a senior in college that one of my professors suggested that I pursue musicology, which is the study of the history of music. Earlier this year actually, my mother told me, ‘When you went off to study musicology in grad school, we didn’t know what you were doing, but we kept our mouths shut.’ And I’m thankful that my family didn’t plant a seed of doubt or skepticism back then, because I see that anxiety in more and more students: There’s reluctance to study something without a clear path toward a job and supporting oneself. I remember that sense of uncertainty myself as I searched for an environment where I could immerse myself in music, its history, and how it intersects with and informs our understanding of the world today.

“I think the performing arts are exciting because they always have to be reincarnated: A musical score is a set of instructions from the past, and you need live people to reanimate it. So a musical work exists in multiple eras, from the moment it was first created through the most recent performance. The work I do on gender in opera is a perfect example of that. We can explore how changing ideas about gender inform our perception of operas from the past and our performances of them now. The gender systems and values of the past have changed so much, and we come to old artworks with new questions about modern people, voices and new ideas about gender and sexuality. The arts are a wonderful place where the past and the present are in conversation. And here at Stanford, people are constantly in conversation with one another. During my time as the director of the Program in Feminist, Gender and Sexuality Studies, I saw how faculty and students in different disciplines were incredibly engaged with their material and with one another. People are very intellectually generous here.”

Professor of Theater and Performance Studies

“I come from a long line of academics, and that history has been hard-earned. My parents met in graduate school in 1959, and because they were an interracial couple, their marriage would have been illegal had they not been in a northern state. After they graduated, my father’s advisor reached out to a university through the ‘old boys’ network’ because this was before the U.S. Equal Employment Opportunity Commission had been established and before jobs were advertised publicly. My parents were told that the institution had met their quota for Jews and wouldn’t hire my mother because they didn’t accept black professors. Fast-forward 30 years, and they both got jobs at that same institution. Now that I’m the director of the Center for Comparative Studies in Race and Ethnicity, I get to drive the mission to increase faculty diversity and carry on their legacy. As a black queer scholar, I don’t often see my identity reflected in the faculty at Stanford, but we’re working to make this a place where everyone of all faiths and persuasions feels welcome and can pursue their interests, where we can learn from one another and have truly robust intellectual discussions.

“I wouldn’t be where I am now if I hadn’t explored and stayed open to new conversations, possibilities and life paths. As an undergrad, I was a Victorian studies major, and early in my career I wanted to be a manuscripts librarian. One of the first fellowships I was awarded was at the British Library, where Marx used to study. While working there, I discovered 75 plays about black women and slavery in the 19th century and these ended up becoming an integral part of my first book project. About 15 years ago, I switched from English to theater and performance studies, which looks at a wider range of material than just the printed word. I’ve always loved thinking about the ways in which art is a matter of social justice. At one point, I thought I might want to be a museum curator, but I’m very glad I became a professor; I like the variety, the new questions that emerge and the opportunity to work with Stanford’s number-one asset – its brilliant students.”

Assistant professor of political science

My research focuses on questions of race and identity in American politics, especially the politics of marginalized groups. Instead of focusing on more dominant groups – white Americans and their attitudes toward African Americans, for example – I’m much more interested in the lived experiences of the stigmatized. How does being Black condition one’s politics? What are the concerns and considerations that come about because of that experience of living on the margins of society?

I grew up in rural South Carolina, and it was clear to me early on that politics matter. When my mom worked late, I’d spend a lot of time with my grandparents, and my granddad in particular. Neighbors would stop by to talk about politics on the front porch, and it was never an occasion where I was told to go away and be quiet; I could engage in those conversations. I learned about politics literally at the feet of people who understood its power both to set free and to oppress.

I had the occasion to travel around and speak publicly as a young teenager after I won an essay contest for King Day. I only remember small bits of it, but it focused on the various inequities that remained in the public school systems of South Carolina. We have what’s called the “Corridor of Shame,” where schools built after the Civil War are falling apart, where students have access to so little, where teachers are forced to buy things out of pocket. I went to that kind of school. So thinking about these issues, and being unsettled by them, was part of my early socialization, and they move me still.

I think I’ve been teaching privileged folks about race for as long as I can remember. But in my formal role as a teacher, mentor and advisor here at Stanford, I see it as a deep obligation that I have. As I tell my students, my job is never to force them to think a certain way but it’s at least to force them to reckon with why they think the way they think – to engage the possibility of being wrong. I have attempted to create a space where truth is held in very high regard but students can feel comfortable laying bare their ignorance on some topic, their belief set that differs from my own. And I also think I benefit from telling my students the truth about who I am.

I think treating students as full beings who can understand the complexities of the world, who can engage you as a serious interlocutor – students are ready for that kind of education. And that’s what I try to give every time I have the privilege of teaching them.

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Assistant Professor of Art and Art History

“At times, art has been an escape from a reality that I didn’t see myself as being a part of. It’s served an escape from some of the brutality I’ve witnessed. It’s a space where I’m able to make things right and whole, where I can question things and craft my own method for reorganizing the world. It’s also an opportunity for me to step outside of what’s happening around me and become a mirror, creating things that reflect where we are as a culture. I’m part of the culture, but as an artist, a portion of me feels that it’s my job to step partially outside of it in order to record it. I love what I do: It allows me time and space to process, question and create. My field also allows me to explore and advocate for areas of our world that aren’t getting enough attention. Ultimately, art is a way to remake and redirect the world. I’m lucky I get to spend my life doing that.

“I’m a photographer because ultimately that’s the way I look at the world, and it’s the medium I always return to. One nice feature of saying you’re a photographer is that everybody knows what that means and can relate to it. I think that in a way, being a photographer has simplified identity for me, while still leaving it open-ended enough to define the aspects of it that I want to. Photography is everywhere, and people connect with it on a personal level. Everyone’s taking photos and storing them, daily. Most people may not know what to do with them, how to categorize them, or if they’re good or bad, but we all have catalogs of our lives that we’re carrying around wherever we go.”

Professor of Religious Studies

“I had a three-year identity crisis in college, wrestling with the question of ‘Am I going to be a molecular biologist or a historian of ancient religion?’ I started out majoring in molecular biology, but during my second semester of college I randomly took an introductory course in world religion and fell in love with it. Unfortunately, I was at one of the few institutions that allowed you to choose only one major – no dual majors, no minors, no certificates, no study abroad. My loophole ended up being that there was no limit on the number of classes I could take. For the rest of college, I took classes toward my degree while also taking tons of courses in world religion, history, and languages. I wasn’t yet ready to let go of molecular biology, but I was increasingly passionate about history. Both fields offer a sense of discovery.

“After graduating, I decided to pursue graduate work in ancient religions and became a professor of religious studies. At Stanford, I have the exciting opportunity to be part of large, collaborative research. I work with computer scientists, data scientists, and software developers, within and outside of our university. Some of my current research involves using advances in how computers analyze modern handwriting for security software to help match up handwriting from ancient scribes. This helps us figure out when manuscripts were written, by whom, and the connections between them. And I get to be one of the first to uncover these findings! I look at artifacts like ancient cow hides that haven’t been seen for over a millennium – precious pieces in a larger historical puzzle. It’s exciting to discover new parts of history and share that context with the world, bringing light to our past as well as our present.”

Assistant Professor of Anthropology

“Going to college and becoming a professor was like a far-off dream. I don’t come from a traditional academic background: I worked full-time as a butcher for seven years, beginning at age 13. Raised in underdeveloped neighborhoods in Mauritius and later the UK, I did not have role models in academia to look to for mentorship. I struggled to see a path toward achieving my dreams. Once I started working full-time, it became even more difficult to sustain my ambition, keep up with school and manage work – which made my academic goals feel that much more unreachable. I was eventually able to break into academia, but it was a difficult journey getting there. And unbeknownst to me, my time as a butcher would unexpectedly provide me with a serendipitous opportunity to enter the area of research I was most interested in – archaeology.

“As luck would have it, the first person that I spoke to about my background happened to have been researching archaeological butchery for some 25 years. Having had degrees in biology, health and ecology, it was a challenge to enter archaeology because I had no experience with the subject – but it seemed to hold the promise of the type of research I hoped to do. Fortunately, my background in butchery was the ideal foundation for studying human-animal relationships in the past. I understand animal anatomy from a morphological perspective, as well as how people interact with the commodity of meat on a social level. My niche expertise within the meat industry opened a door of opportunity for me. Sometimes the things that you feel make you stand out unfavorably are actually what set you apart in a positive way.”

Professor of Creative Writing

“Writing a novel is like going off on your own and painting a giant mural that no one has commissioned or asked to see. You make a big commitment to a risky project. You have to be willing to take those risks, while also managing the negative ideas and feelings that come up while pursuing such a difficult goal. It takes a lot of guts, it takes a lot of stubbornness, and it takes a lot of faith. Even now, as deep in my career as I am, I’m still managing those challenges.

“When I graduated from college, I took a job on Wall Street. I ended up quitting it pretty quickly to give writing a serious shot, taking odd jobs while also writing on my own. At the same time, my mother became terminally ill with cancer. I was working on my own, considering what I was supposed to do with my life. My mother’s illness and later, death, were a huge blow to our family, but it provided a moment of clarity about the fragility of life and that we should all try to do what we really want to do. The first novel I ever wrote failed – no one wanted to publish it. It wasn’t any good, but it helped me learn the value of endurance and facing serious failure. I wrote my first published novel while pursuing my Master of Fine Arts, with the support of colleagues and a great mentor. I still struggle with the challenges that come with writing novels, but with experience I gained a measure of faith that things will work out, even when it seems that they won’t.”

Professor of Mechanical Engineering

“I’m always looking for ways to make connections between humans and science. I’m currently studying the development of an artificial sense of touch for humans, particularly for its applications in medicine and rehabilitation. I’ve always been interested in human-machine interactions, but I didn’t always know I wanted to be an engineer. When I first entered college, I was considering becoming a lawyer because I like working with people. But then I took an introductory mechanical engineering class and fell in love with the field when I discovered how technology allows you to directly improve people’s lives.

“Part of our research efforts to improve the future of human health and quality of life is developing minimally invasive medical robots for pediatric patients. These robots demonstrate enormous potential because they can precisely execute difficult maneuvers. Although some successful surgical robots exist, they’re too large for use on small children in certain procedures. One idea we’re pursuing is personalized surgical robots. These are made possible through 3D printing, medical imaging and virtual modeling — which would allow mechanical engineers and surgeons to work together to create robots customized for an individual’s body and needs. These tailored machines would minimize the invasiveness of operations and advance the precision of procedures, significantly reducing patients’ recovery time and risk of infection.

“To introduce robotics to groups that would otherwise be underrepresented in our field, my lab runs an outreach program to conduct introductory engineering sessions with small groups of students. We demonstrate what robots can do outside of the movies and show them what a diverse team can look like in practice. I strive to make my lab a good role model for diversity, and outreach allows me to share my vision for inclusion with more of the world, as well as provides the opportunity to positively influence younger generations.”

Assistant Professor of Communication

“I thought I’d be a librarian. I was born and raised in Miami, which is a diverse place full of colorful characters and cultures, and I basically spent my childhood there reading books.

“My dad was born in Israel. He’s a jeweler and a small business owner, and he worked seven days a week to support our family of five. My mom was born in Colombia. She was a stay-at-home mom while I was growing up. When I was in high school and old enough to help babysit my younger siblings, she went and got her college degree. I get a lot of my academic ambition from her. She always made it seem like anything was possible, if you just focused on getting a good education.

“In college, I double-majored in psychology and humanities. I’ve been keeping journals since I was 5, and I’ve always been fascinated by the self – how it gets expressed and how it changes over time. Today I focus on the way digital technologies—like social media platforms and smartphones—impact these processes. Those tools, by their design, do the same thing journaling does: they’re mediating and recording our thoughts, feelings and behaviors. But they’re not typically giving us access to the insights. That’s an underlying motivation in my work: I’m always trying to think about ways that we could harness everyday technologies as a kind of digital diary. I’m trying to figure out how we can use data to give something back to people, to promote self-discovery and behavior change.

“The narrative around tech can be so negative, as though we just have to deal with all the ways our gadgets are affecting us. I think that there’s more of an empowerment angle in there. We can use these tools to change ourselves in desired ways, to meet our own self-improvement goals. I try to figure out how to do that.”

Associate Professor of History

“My research on racial passing really began when my aunt told me a story about a family member who passed as white in the 1940s. Our family member resisted assuming the life of a white woman, but her mother insisted that this was the best – if not the only – way to succeed in Jim Crow America, so her daughter agreed. Years passed, and the daughter married a white man and had children. Then, her mother called and begged her to come home because her father was dying. Her daughter had no choice but to say, ‘I can’t. It’s not possible.’ At that point, she was a white woman and there was simply no turning back. My aunt’s magnificent storytelling and this personal connection to racial passing inspired me to delve into the history of how racial passing affects families, and to explore the pain, loss and separation that resulted.

“It is critically important to study race now. We must study race, gender, class, sexual orientation and the intersections of these identity categories. We are dealing with many unresolved issues that stem from the long and enduring history of white supremacy. We have to understand the history of white supremacy so that we can challenge and dismantle it. It’s inspiring to teach students who are so courageous in wanting to confront issues of racial injustice, economic inequality, sexual violence, sexism and multiple forms of discrimination. My students have taught me to constantly be aware of what’s happening in the current moment. To be effective teachers and historians, we must connect historical knowledge to our own times. We must help students to see their place in our history and to give them the tools to create a more just world.”